


Facing Blackness - Paperback Book
Published by Film Desk Books, 2022
Perfect bound softcover
First printing of 1,000 copies
129 pages
6.5x4.75 inches
āIn Facing Blackness, Ashley Clark traces the contours of Bamboozled, guiding readers through Leeās intricate representation of race, politics, and popular culture. Clark moves beyond straightforward film criticism to situate the film within a complex history of blackness and American entertainment, making a powerful argument for its ongoing relevance and vitality. Thoughtful, rigorous, and witty, Facing Blackness is a thoroughly engaging analysis of this monumental film that is imperative reading for fans of Spike Lee and cinephiles more broadly.ā āRacquel Gates, author of Double Negative: The Black Image and Popular Culture
āThe value of Facing Blackness isnāt that Clark renders the film less challenging, but that he has thought through its implications in ways few, if any, have yet attempted. In so doing, he has shown that to understand Leeās art, one has to deal with Bamboozled. It is, as Clark puts it, āthe central work in Leeās canonāthe house on fire to which all roads lead.ā Facing Blackness doesnāt extinguish the fire, but rather maps the roads.ā āKeith Watson, Slant Magazine
āClarkās in-depth analysis of Bamboozled brilliantly validates and elucidates the importance of a forgotten cinematic treasure. This is essential reading for anyone interested in black film, black history, or Americaās dark past.ā āKaleem Aftab, author of Spike Lee: Thatās My Story and Iām Sticking to It
Ashley Clark is a writer, critic and film programmer. He was born in London, lives in Jersey City, and works in Manhattan. Facing Blackness, initially published in 2015, is his first book. This revised second edition contains a new foreword.
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Description
Published by Film Desk Books, 2022
Perfect bound softcover
First printing of 1,000 copies
129 pages
6.5x4.75 inches
āIn Facing Blackness, Ashley Clark traces the contours of Bamboozled, guiding readers through Leeās intricate representation of race, politics, and popular culture. Clark moves beyond straightforward film criticism to situate the film within a complex history of blackness and American entertainment, making a powerful argument for its ongoing relevance and vitality. Thoughtful, rigorous, and witty, Facing Blackness is a thoroughly engaging analysis of this monumental film that is imperative reading for fans of Spike Lee and cinephiles more broadly.ā āRacquel Gates, author of Double Negative: The Black Image and Popular Culture
āThe value of Facing Blackness isnāt that Clark renders the film less challenging, but that he has thought through its implications in ways few, if any, have yet attempted. In so doing, he has shown that to understand Leeās art, one has to deal with Bamboozled. It is, as Clark puts it, āthe central work in Leeās canonāthe house on fire to which all roads lead.ā Facing Blackness doesnāt extinguish the fire, but rather maps the roads.ā āKeith Watson, Slant Magazine
āClarkās in-depth analysis of Bamboozled brilliantly validates and elucidates the importance of a forgotten cinematic treasure. This is essential reading for anyone interested in black film, black history, or Americaās dark past.ā āKaleem Aftab, author of Spike Lee: Thatās My Story and Iām Sticking to It
Ashley Clark is a writer, critic and film programmer. He was born in London, lives in Jersey City, and works in Manhattan. Facing Blackness, initially published in 2015, is his first book. This revised second edition contains a new foreword.





















